The Mentalist in a nutshell: It's all an ILLUSION (read: VISUAL LIES) that we have seen before. In "Red John's Rules" Patrick Jane reveals his Red John Usual Suspects aka the un-Magnificent "SEVEN".
IMAGINE if any of the seven "usual suspects" Patrick Jane has not eliminated as Red John is finally revealed as the master serial killer of all time, is the audience going to buy it? Which of these guys will live up to the audience's diabolical expectations? Sinister Stiles? Pathetic Partridge? Hapless Haffner? After six seasons Bruno Heller will have to create an ending more shocking than the Usual Suspects or the head-in-the-box in "Seven." But these guys? Bruno better call Kevin Spacey and see if he's available.
Et tu, Bruno?
EW: There’s this smart line near the start of the third act of Seven, where the audience is warned that when we meet the film’s serial killer (KEVIN SPACEY), there’s no way he’s going to live up to our expectations. He’s just a man. Has that concerned you, building up the villain for so long that it can’t top expectations?
Bruno: Sure, if season 5 we just opened a door and said “tah-dah!” and it was some mid-range actor, that would be disappointing. The trick is going to be — and this is coming — bringing the audience along and making them second guess themselves and ask, “Is that him? Is that him?” Red John ultimately is just a man — whenever you see the great criminals reduced to the flesh it’s sort of disappointing.
"First he's there,"
EW: Will you cast Red John next season?
Bruno: Will I cast him? He might already have been cast. You might already have seen him.
"And like that he's gone."
I give Bruno more credit than that. The moral of the story: In The Mentalist there are no Red John rules as there is no Red John.
The Mentalist is an ILLUSION: Jane appears to be a Sherlock Homes super-sleuth character, but in reality is a mental patient with a cracked eggshell who suffers from paranoid delusions due to feelings of extreme guilt in the deaths of his wife and child who were burned as he was (CBI = intensive burn care?) in a horrific car accident involving a driver named Tanner when he failed to stop at a BLINKING RED LIGHT CROSSING AN INTERSECTION, hence the RJ symbol, while he was driving intoxicated and spends his days with the remote watching TV shows, which generate his ideas for the delusional episodes.

Burning Clues: "The Mentalist" is obsessed with fire, as in half the episodes it plays a significant plot point. Items: Jane burns his Red John files with a bottle of booze. Out of the Frye-ing pan into the... As Kristina Frye discovered, when you get too close to Red John, you get burned. "Tiger, Tiger burning bright, they were "Au-burned." In the "Red Mile" episode Jane arrives at a crime scene outside Auburn, California. Shouts from Alabama football fans of "Roll Tide" first appeared during the Alabama-Auburn Tiger IRON BOWL game in 1907. Curiously, a corpse was found in a burned car in "Ruby Slippers," in which Jane discovers the identity of Fifi Nix, like Jane's Phoenix, has risen from the ashes of his past life. In "Red Dawn" Jane is given a desk next to a fire extinguisher that is there, then it's gone, then it's there again. Fake Red John read all about it - catch the fire-y headline on the front page of the newspaper Tim Carter was reading before Jane shot him. Red John appeared to Jane in the burn mask. Jane: It's not my fire.
THE WILD WEST-PHALL WORLD
Red John is Patrick Jane's imaginary evil twin, his "perfect symmetry" alter-ego (Jane/John) Professor Moriarty character in a Tommy Westphall" imaginary world like "St. Elsewhere's" snow globe and "Life on Mars" that is the dream state of Jane. (NB. The fake Jane character in "Red Moon" where a corpse was found in a burned car was named Ellis Mars (El - He is Mars.)
Ellis Mars: The mind is a powerful weapon. It can create reality.
Jane: Perhaps we can see each other again.
Lorelei: That’s not up to me.
Jane: Oh, you have no say in it?
Lorelei: None at all. It’s very "Westphall."
Jane: I don’t follow you.
Lorelei: I do what Red John tells me to do.

Red Face to Face
Mentalist in a Box, It's a BAD MAD MAD MAD WORLD**, The BIG W: The characters of Rigsby, Cho, Van Pelt and Lisbon are also Jane's creations ala the "Wizard of Oz;" the Tin Man, Scarecrow, Cowardly Lion, and Dorothy in reality are the assistants and doctors at the mental hospital and the RJ minions are Jane's fellow mental patients. In the final scene Jane confronts "Red John," and in an homage to "OZ" awakens from his dream state to realize the true identity of RED JOHN - the Big W - Johnny Walker RED. (** Mentalist writer Dan Cerone co-produced "It's a BAD BAD BAD BAD WORLD on "Charmed")
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Shaking hands with Red JohnBLOOD and SAND
½ oz. Johnnie Walker Red Label
1 tbsp. orange juice
½ oz. sweet vermouth
½ oz. fresh cherry syrup
Orange peel for garnish
Add the Johnnie Walker, orange juice, vermouth and cherry syrup to a shaker filled with ice. Shake until cold and strain into a rocks glass. Garnish with orange peel.
It takes a toll on my soul,
Because I'm starting to believe the lies you strung with red,
Is it all just a game?
One day I'll heal and I'll be covered in scars (Red and Itchy)
And never forget why did it all fell apart.
When you finally came clean about the lies and the games you played from the start!
-Red in Tooth and Claw
The Man with Two Names -- Red John's alias is ROY Tagliaferro (read: "cut iron"). The ROY CUT IRON anagrams are "court irony" and "you r citron." How ironic that Jane, the court jester who arrives at the crime scene in his Citroen, a master reader of how others' emotions control them and our need to let go of the past, was a prisoner of his IRON-ic chains to the past. Until Jane leaves his OLD LIFE BEHIND, The Mentalist is on the mental list, a prisoner of his own device.
Jane: Lisbuns, want to see my Magnificent Seven?